Saved by a girl. Again.

(Click for bigger)

I posed for this for Sean a good while ago. Going through some files today, I came across it again. You'd be amazed how long I had to stand holding a brush handle...

An artist studio in a shopping centre

One of the most interesting projects I've been invited to help with this year is the Scotch Hall Art project. An empty space in the Scotch Hall Centre, Drogheda is to be transformed for the next two weeks into a temporary Art Studio and workshop space for the public to try their hands at painting and drawing.



Sean O'Dwyer is going to host a series of live demonstrations, art events, workshops and mini-shows that the pubic can get involved with where people can get a chance to paint and draw with him. I'll be there from this evening helping to get things set up for a private viewing of the Open Studio space. I hope to be able to try and blog a bit of it too.

Sean has been painting, sculpting and teaching for longer than I've known him. His teaching technique, called the Perfect Painting method, has helped people who have never painted before achieve remarkable results in a one day workshop.

Using primitive cameras, as Da Vinci, Vermeer, and Ingres did, Sean has a unique gift in making even the least confident person feel comfortable with a brush and produce something they can be proud of. The results of his workshops tend to speak for themselves.



Among the things happening in the open studio for the next two weeks are:

• A day by day viewing of the preparation and making of unique large scale oil painting for Scotch Hall to be displayed in the centre.
  
• An exhibition of works in progress entitled "Aspects of Her" by Sean
  
• Perfect printmaking: a mini-show of prints designed by the artist and created by participants from Perfect Vision painting workshops
  
• Invited guests and workshops on themes related to the paintings.

The Scotch Hall Art Project runs from the 7th to the 19th of October during shopping centre hours. Project events such as art exhibitions, demonstrations and workshops are available to the public, but will need to be booked in advance.



Sean tells me there'll be more information on his website. He's also on Wikipedia and blogs when he can too. Here's a nice video of the artwork he used to create the painting above.

Bronze casting in Drogheda with Sean O Dwyer

The Traveller, oil painting by Sean O Dwyer

Wednesday evening I got the chance to work with painter, sculptor and now bronze casting enthusiast Sean O Dwyer as he starts his Bronze on the Boyne project.

My friend Sean is at a well developed stage in bringing this to life. Although a well established artist and teacher, he feels that this project could bring a lot to anyone wanting to learn the skill.

The project brings the participant from making a small clay sculpture into learning how to make a mould, preparing a wax and investing in a unique form of ceramic, into finally casting and finishing the piece in bronze.

I tried to capture much of the experience on the phone camera, but a low battery didn't help. However, I got to see parts of how a project like this is done:

• A mould is prepared ready to take the molten bronze


• Pieces of bronze are chosen for melting and are cut down to size




• A furnace is lit (heated with butane) up to approximately 1200 degrees with the crucible holding the bronze inside




• When molten, the bronze is poured into the mould and allowed to set. This can take about 30 minutes
  
  

Because of the high heat, the molten metal and the short cooling time the practise involves a certain amount of coordination and teamwork. It also requires heavy fireproof safety equipment which made us look like two extras from Spamalot.



As with his previous casting, Sean is eager to document this process, which meant Niamh and I worked together on videoing the project, which hopefully will make an appearance on his blog soon.



I finally worked out how to Qik from my phone (there you go Damien!) so I conducted a short interview and talk about the project with him:



Speaking as an artisan - istic ignoramus, I found the entire procedure fascinating. The tireless preparation that goes into getting things ready for the pour, the delicate balance between the correct heat and time of pouring, the procedure of getting the molten metal from the furnace to the mould is all so integral that you'd have to wonder how artists created such works in our own Bronze age, lasting nearly 2,000 years from about 2200BC.

More work needs to be done, but the learning is just as interesting. I look forward to being educated more about the process and being involved again. Plus, I like wearing the safety gear ;-)



You'll find Sean online at www.seanodwyer.com and you can read his blog here.